ANOTHER MOTHER’S DAY

These days may be remembered

But most likely won’t be

Missed, the wheels roll,

The chimes toll, those dirty

Dogs have pissed on the lounge

Chair you sit in watching

The ants clamor in the sun

While mowers drown

Churning the grass blades

Hashed while birdsong runs

Like squirrels above me warm

In the sun, warm as the sun

Feeding the writhing planet.

Beer soothes the confused

Mood that fuels this rolling pen

Inking, thinking, inklings

Of who-where you are going,

What-when you have been,

Ignition failure, no spark,

Questions needing answers,

Carbon dreams of showered sin,

Promised exhaust, exhausted

Music rolling in. These days

You are exhausted, too tired

To choose jazz over blues,

Too exhausted to know

The score, who’s in charge or

What to do or where to go.

Sometimes I believe the spruce

Knows the answers really

Have no problems, only hold

Birds on their branches

And those full-throated dreams

Of melody and flight.

You might learn to love

Like Felix, your Tom-cat,

Who refutes the territorial pride

Supposedly in his DNA,

Proving things can change

Though the ants still claim the world

At a grassroots level. Felix

Is peaceful feline proof,

As are children, dogs, and women,

That you, too, can let go

Of your incessant need to tell,

To point, to administer the business

Of bluster and show, to perform

Your knowledge, the lucky evidence

Of predictable ego, tomorrow,

That hope of knowing the score,

Or at least knowing more

Than you know today . . . all the while

The cat lays curled, purring

At the feet of a young mother

Breast feeding her child—universes

Whirling behind their closed eyes.

 

Mark Gibbons

May 12, 2012

 

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ARSE POETICAL

A bandage covers his ear

lobe he’s pulled to a bloody grape,

so he works at the nostril

 

scabbed from compulsive picking,

digging into some comfort of routine,

a rhythm rattled on skin,

 

ringing manipulations, ticking tasks

like fingernails, cigarettes, and fever dreams—

repetitions—cooking schemes for smuggling

 

whiskey under the noses of the uniformed

staff serving prune juice and Dixie

cups of Dilaudid or Percocet.

 

Constipation holds him hostage—

he needs to go but can’t, so he sits

in limbo and waits for shit

 

he wants and doesn’t want, what he needs

and can’t let go, like trying

to wake from a nightmare

 

in Caracas or Baghdad, somewhere he doesn’t know,

some place his pale face makes him a target

for breathing there—a dark room,

 

the closet he’s locked inside—

blind as Oedipus or those

horses used in underground mines

 

to pull ore carts in traces

until they died—desperately

he fumbles for the light he cannot find.

 

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full circle

a friend of mine

mentioned in a poem

how stupid it is

to wash the dead

and being the contrary

prick i am

i had to disagree

you see i was with my mom

the week before she died

and you may think

i’m an asshole

for writing about this

but she hadn’t had a bath

for several days

prior to when i showed up

and wiped the shit

she couldn’t

i did the best i could

but it wasn’t good

for her or me

and when the bath lady

finally arrived

hours before fern’s death

and cleaned her

combed her

changed the bedding

and her night gown

she looked so good

so clean

so peaceful

(it seemed to me)

so happy

like she’d hung on

just to get spruced up

she told me

her mother always put on

clean underwear

before taking a trip

so she wouldn’t be caught

dead in shitty drawers

so maybe my friend is right

maybe we should think

about cleaning the dead

before they die

because once they’re gone

we only clean them

for ourselves

pretending they care

as if they were still alive

and that does seem selfish

or stupid i guess

but for weeks after

she was gone

i was haunted

by that shit—her shits

then gave in

and accepted it

the fact that my sons

might get the privilege

of wiping my ass

experience the wonders

of cleaning up at both ends

the comings and goings of it

i hope they do

because that’s the real shit

and fuck the rest of it

the noise and the toys

and the pride

you’re dead

when you’re born

but if you care

enough to care

for someone

who cares for you

it makes a little bit of sense

in this ridiculous escapade

to go the distance

whatever your body allows

and complete the circle

let others care for you

let them wipe your ass

let them clean

your shit—really

it may be the only thing

humans do as well as animals

 

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On The Road

Starting out from home because where else are you going to be when you’re ready to roam, when you’ve outgrown your clothes in the bottom drawer and the single bed like the window you’ve crawled in and out of for a decade or more, time to hit the road, Jack or Joe or Jimbo, time to roll onto the highway of your dreams, time to dial in the radio howl and hit the high beams, open a beer, roll a joint, and concoct those schemes that only a post-war teen can envision, those moonlit scenes of slippery sex, visions of speed and weed and music and drums–ba-dum bum-bum, ba-dum bum-bum, ba-dum, ba-dum, ba-dum bum-bum—scream and cum, be the beat, be the drum, be someone, the heartbeat, the backbeat, the heart throb and run of cool jazz saxophone riffs, trombone, vibraphone, muted chet baker trumpet, miles davis so stoned on the thrum of the bass line, asphalt white lines cut and humming on a toilet tank lid and lit by the dashboard glow, shadows flying by like a cave-load of bats across the windshield, a panic of light dawning on the distant horizon like a nuclear detonation, Pandora’s box almost exposed by a broken zipper, the white bra floating under her chin as god-almighty explodes in her hand, your first confirmation of grasping what Wolfe meant, Angel there’s no looking back, your gone, your going, of course you always were, but now you know you can’t go home, henceforward and again, it’s more about the cumming than the going, home to high rise buildings and virtual realities, it’s about the miles and the cows and the snow plows and the soup kitchens and the go go go and the yes yes yes, who knows what to do, and who knows right is rain or wrong, or who knows dusk from dawn when the radio’s on and you’re howlin’ in the rollin’ streets and everything is in front of you, and the road not taken is too late and long gone, gone, gone, gone, and who knows which road you’re on, you’re just on, you just go, just blow, just move on down the road, roll to the beat, just rock it, baby, just roll your feet because that’s what it is, that’s where it’s at, you can’t be too careful about being too reckless at seventeen, your mama knows what your daddy came to know a long time ago, it’s beyond their control, it’s time for you to roll, time to hit the road, literally, figuratively, time to jump on the train, time to hitch, in time to sink and swim, find your beat, your hymn, that tight-skinned rhythm, your song of the open road, your song of yourself in the landscape-body-shoulder-hip, lick the tips of all your sensitive senseless mental states of satiation standing up and screaming, “I’m alive, mother-fucker, I’m alive!” so let’s go, let’s do it, it’s time to move out, it’s time to move on, move in, and move along, move to the beat, move into your song, the source of your flame, your moment, that passionate passport to flight, mad as Jack and Neil forever stuck on the road.

 

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Upon Asking The Old Man Why He Never Wrote

He didn’t have time to write

He had to work

He had to eat

Writing was a luxury

For college boys

For rich kids

For those who had nothing to say

He didn’t have time to write

He had to work

Had to feed and clothe

He didn’t have time to dream

Time to entertain the crowd

Who prattled and pattered

After drama and rumor and swooned

Over pencil thin mustaches

Tuxedos and push-up bras

He didn’t have time for nonsense

Didn’t have time to play

He went to work

When he was eight years old

He didn’t have time to write

He had to earn what he could

Nothing was given to him

Except the last rites

When he was twelve years old

Pneumonia and nothing

To be done but plan the funeral and

Wait  He had to work

He didn’t have time to die or write

He had to dig and serve

For rich kids

He had to eat

He had to feed

His brothers and sister and mother

His father digging somewhere

Prospecting with a bottle

He didn’t have time to write

But he stole time

To read time

To drink and think

He didn’t have the mind to drink

With the right people

With the In Crowd

That class who looked down on his kind

He didn’t have time to read

Between the lines

Or lube the greasy wheels

Whose pantries overflowed

With moldy loaves

While they sneered

Bemoaned and groaned

About the god-awful sounds

Of the growls from the street

Those empty belly roars

Of the filthy brats

Walking by outside

Seen through sheers and lace

He didn’t have time to write

He had nothing

To say

That anyone would buy

And he had to provide

He had to eat so

He had to work

He could hear the cries

Of his little sister and brother

He didn’t know how to write that

Down  He felt that ache

In the pillow-muffled sounds

From his mother’s midnight bunk

He didn’t have time to invent

Those words for pain

Like Frank McCourt

He had to work

And what time he stole

He stole to read because

He didn’t have time to write

He had nothing

To say

Isn’t it obvious that

He was a poet

Who didn’t have time to work

And write since he didn’t

Have time to dream

He let Martin Luther King

Junior do that for him

Back when he was fifteen

He joined the CCC’s

He didn’t have time to write

He had to go to work

Turned down a scholarship

To the University to play

Basketball and rub elbows

With the In Crowd

And maybe write poetry

Because he was a poet

But he didn’t have time for that shit

He had to pay the rent

He didn’t have time to dally with words

When he took a wife

Made a child

Was drafted into that good war

The big one

Not the one to end all wars

The second one

The one after the end

When dead civilians took center stage

Eclipsed the soldiers

In the body count race

No he didn’t have time to write

About all the death he carried

He had to work

He had a family

To support

To feed and clothe

So he didn’t have time to write

About the pope blessing

Mussolini’s bombs and planes

About the corpses stacked

Like cord wood along the tracks

He stole time to read

To argue

To disagree with the celebration

Of civilization’s victory

He drank

Passionately

After all he was a poet

With no time to write

He needed that time to drink

And work and think a bit

Did I mention he had to work

And feed and clothe  Also

He had to bury his mother and dad

In their bullshit and beads

Had to bury Kennedy Bobby

Medgar Malcolm Gandhi

Drink or drown in a sea of blood

The wealthy sailed in golden boats

He had to bury his dream

Keeper Martin Luther King

Chose drowning in drink

A dress rehearsal for The Escape

Got ready to crumble into dust

He didn’t have time to write

He was a poet

Who never wrote

A self-made political scholar

Just another wage slave

A blue-collared white nigger

Powerless as children and women

A guy who couldn’t even steal

Time to read

Wouldn’t permit himself time to dream

Yet he was a visionary

He was a force

An Irish-American class warrior

He was a drunken poet

Who never took time to write

He was just a man

A son and a distant husband

A piss-poor soldier and complex

Dad  He had responsibilities

So he worked and drank

He was honest and liked

By most feared by the masks

A smart witty-sad angry man

Just ask me

My father told me

Everybody loves their old man

They have to

Because he’s their dad

The Old Man

The only one they’ll ever have

No matter

What kind of a son-of-a-bitch he is

My Old Man was a poet

But he didn’t have time to write

He had to work and drink

And moan alone when

He thought no one heard

He taught me to rebel

Or maybe that was in my DNA

But I realized poetry

On the page

So when I found a diary

He kept for a few days

During WWII

I thought I’d share it with you

For me and my dad

Long dead

And no way to stop me

From showing you he was

We are all poets

 

March 15, 1945—

Been working

Like Hell

These last few months

I must weigh

Around 170 lbs now

And have had the piss

Scared out of me

Quite a few times

During that break

Through—the Bulge

They have lost

A lot of men and

It’s all bullshit

 

He was twenty-seven

By then he’d been working

For almost twenty years

Summers he’d hayed

For ranches up the Big Hole

So he knew bullshit

When he smelled it

And he knew war

Because he’d smelled it

He spoke poetry

Read it and knew it

But he’d never say that

He was a poet

Who leaned more toward Service

Than Longfellow

He didn’t have time to rhyme

Because he grew up

In the Cabbage Patch

On eggs and potatoes

Shanty Montana-Irish  His dad

Dug and drank and dreamed

My father didn’t

Have time to dream

His family had to eat

So he had to go to work

At whatever he could get

And work overtime at

Not taking any shit

Class warfare was a tradition

And in his DNA

Like whiskey

So he had to hope

I’d know what to say

When I sat down to write

And I know my hope

Is walking behind

Me in someone else’s shoes

And their voices are strong

And their arms are true

And their children’s children

Will give peace its days

Under the sun and will

Raise a glass or three

Of Irish whiskey

To an ancestor from the 20th Century

An unrealized poet

Who never wrote

But worked at being

As good as his words and hands

My heroic and liquored-up

Dad  The Old Man

 

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PUSSY

No, I have shit
to do, man.
Don’t have time
for no pussy talk,
no pussy willow
or pussy cock.

The only thing
I want to say is:
have you ever
noticed how
men use “pussy”
compared to how
women say it?

Maybe we need
to learn how
to appreciate “pussy,”
the word,
learn to say it
sweetly,
like tounging
peach juice
from the corners
of her mouth,
the lips
of her pussy.

Sweet Jesus,
honey, I have
BEE-CUM . . .
a tender
tip of the tongue,
licking & loving
up where I came
from. Lord!
I am a fuzzy
pussy-man.

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OPHELIA

OPHELIA

Clouds gather, darken,

The car battery is dead,

Rhubarb in the alley is ready-

Red, a dog barks and barks

And barks and barks—the silence after

Turns into birdsong as the sun

Burns out from behind the clouds.

Venison chili warms on the stove,

A door slams, locks—nobody knows

The loneliness she owned.

A car-horn-alarm pulses its honk

On this sunny afternoon,

And no one thinks anything

Other than it’s a mistake, too late

For instructions, paying attention

To the signs. The power is out

And it’s broad daylight.

Broken branches, spruce cones,

Hollow bones litter the lawn.

If he called now, she’d answer

In that same, flat, detached tone

He’d grown accustomed to

Cheering up too many times

With sarcastic wit or sincere lies . . .

Tidbits that now smell of cigarettes

And exhaust. A beer can rattles

Down the stairs, it’s cloudy again,

And the garage lights indicate

The electricity is back on.

He considers the chili, stirring the pot,

And although he’s not hungry,

She’d have wanted him to eat it . . .

Thinking he owed that much to the deer.

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Welcome!

Mark Gibbons lives in Missoula, Montana with his wife and two sons where he’s a poet in the schools with the Missoula Writing Collaborative. He drives truck and moves furniture to pay rent. His poems have appeared in CutBank, Talking River Review, The Midwest Quarterly, The Comstock Review, Rattle, and many other journals. His newest book Mauvaises Herbes, a French translation of his work, was published in October, 2009, by Propos2Editinos.  His last book, War, Madness and Love, was released in January, 2009 by R&R Publishing. Blue Horizon, was published by Two Dogs Press in 2007.  His first full-length book of poems, entitled Connemara Moonshine was published in 2002. His second chapbook, Circling Home, won the Scattered Cairns Press chapbook contest. His first collection of poems was entitled Something Inside Us, 1995.

 

 

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